Bacon and Sutherland Patterns of Affinity in British Culture of the 1940s The Paul Mellon Centre for Studies in British Art Martin Hammer 9780300107968 Books Lire en ligne FYL

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Both Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer’s starting points are the strong stylistic and thematic affinities between Bacon’s and Sutherland’s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists’ relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War.

How did these two artists engage with international modernism when much English art was narrowly insular and “patriotic?” In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists.

Martin Hammer,Bacon and Sutherland Patterns of Affinity in British Culture of the 1940s (The Paul Mellon Centre for Studies in British Art),Yale University Press,030010796X,Europe,European,Artists - England - Biography,Artists - England - Correspondence,Artists;England;Biography.,Artists;England;Correspondence.,Avant-garde (Aesthetics) - England - London - History - 20th century,Avant-garde (Aesthetics);England;London;History;20th century.,Bacon, Francis,Bacon, Francis - Friends and associates,Sutherland, Graham Vivian,Sutherland, Graham Vivian - Friends and associates,20th century,ART / European,Art,Art Art Instruction,Art/History - Contemporary (1945- ),Art/History - Modern (Late 19th Century to 1945),Artists,Avant-garde (Aesthetics),Biography,Correspondence,England,Great Britain/British Isles,History,History - Contemporary (1945- ),History - Modern (Late 19th Century to 1945),London,Non-Fiction,Scholarly/Undergraduate,Sutherland, Graham Vivian,Sutherland, Graham Vivian - Friends and associates,The arts general issues,UNIVERSITY PRESS,United States,ART / European,Art/History - Contemporary (1945- ),Art/History - Modern (Late 19th Century to 1945),History - Contemporary (1945- ),History - Modern (Late 19th Century to 1945),Art Art Instruction,20th century,Artists,Avant-garde (Aesthetics),Biography,Correspondence,England,History,London,Art,The arts general issues

Bacon and Sutherland Patterns of Affinity in British Culture of the 1940s The Paul Mellon Centre for Studies in British Art Martin Hammer 9780300107968 Books Reviews :

Both Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists, yet in temperament they could not have been more different. This book is the first to consider their intriguing artistic dialogue, offering a rich and subtle analysis of their work up to 1950. Martin Hammer’s starting points are the strong stylistic and thematic affinities between Bacon’s and Sutherland’s work and the fascinating series of letters that Bacon wrote to Sutherland (transcribed in an appendix). Hammer considers the dynamics of the artists’ relationship, their intertwined careers, and how they expressed the experience of living through the Second World War and the onset of the Cold War.

How did these two artists engage with international modernism when much English art was narrowly insular and “patriotic?” In what ways did their art embody a creative response to Picasso and surrealism? The author investigates these and many other questions to illuminate the personal and professional relationship between two compelling twentieth-century artists.

Martin Hammer,Bacon and Sutherland Patterns of Affinity in British Culture of the 1940s (The Paul Mellon Centre for Studies in British Art),Yale University Press,030010796X,Europe,European,Artists - England - Biography,Artists - England - Correspondence,Artists;England;Biography.,Artists;England;Correspondence.,Avant-garde (Aesthetics) - England - London - History - 20th century,Avant-garde (Aesthetics);England;London;History;20th century.,Bacon, Francis,Bacon, Francis - Friends and associates,Sutherland, Graham Vivian,Sutherland, Graham Vivian - Friends and associates,20th century,ART / European,Art,Art Art Instruction,Art/History - Contemporary (1945- ),Art/History - Modern (Late 19th Century to 1945),Artists,Avant-garde (Aesthetics),Biography,Correspondence,England,Great Britain/British Isles,History,History - Contemporary (1945- ),History - Modern (Late 19th Century to 1945),London,Non-Fiction,Scholarly/Undergraduate,Sutherland, Graham Vivian,Sutherland, Graham Vivian - Friends and associates,The arts general issues,UNIVERSITY PRESS,United States,ART / European,Art/History - Contemporary (1945- ),Art/History - Modern (Late 19th Century to 1945),History - Contemporary (1945- ),History - Modern (Late 19th Century to 1945),Art Art Instruction,20th century,Artists,Avant-garde (Aesthetics),Biography,Correspondence,England,History,London,Art,The arts general issues

Bacon and Sutherland Patterns of Affinity in British Culture of the 1940s (The Paul Mellon Centre for Studies in British Art) [Martin Hammer] on . DIVPBoth Francis Bacon (1909–1992) and Graham Sutherland (1903–1980) were highly influential modern British artists

 

Product details Series The Paul Mellon Centre for Studies in British Art Hardcover 296 pages Publisher Yale University Press; 1St Edition edition (August 10, 2005) Language English ISBN-10 9780300107968 ISBN-13 978-0300107968 ASIN 030010796X

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